writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

writerlyn:thewritingumbrellas:Writing advice from my uni teachers:If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.Wrote

Alison_Tyler AllAboutButts

Martymartinloki: Anarchetypal: So I’m Currently Working At A Law Firm And The Other Day One Of The Attorneys Was Talking To Me And He Mentioned That He’s “Not Very Confrontational” And I Was Like You Are?? A Lawyer??? And He Said “Yeah But

Pangur-And-Grim: Pangur-And-Grim:pangur-And-Grim:pangur-And-Grim:i’ve Gone Insane And Started Writing A Cliche Fantasy Novel Why Did Nobody Tell Me That Writing Is The Adult Equivalent Of Playing With Dolls

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Depsidase:

Eddieolczyk:parksrway:random-Shit-Writing:parksrway:does Anyone Have That Picture Of That Fucked Up Looking White Kitten That Looks Like Thisthis Crinkled Tissue??Yes!!!!!!!!!!Her Name Is Nimbus And You All Need To See Her Glow Up

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How Does That Work You’re A Bicycle

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