#Repost @antisocialdisposition ・・・ Lay down children, give your weary souls a rest. Remember, life is elation, not some existential test. Models: @bunnyluna_ @kyotocatnip Landscape: @bunnyluna_ Lighting: @_smfs_

#Repost @antisocialdisposition ・・・ Lay down children, give your weary souls a rest. Remember, life is elation, not some existential test. Models: @bunnyluna_ @kyotocatnip Landscape: @bunnyluna_ Lighting: @_smfs_

Denise_Milani DesiBoners

Kyotocat

Kyotocat

“I Take Pleasure In My Transformations. I Look Quiet And Consistent, But Few Know How Many Women There Are In Me.” –Anaïs Nin // Kyotocat // Photo By Currencyofwill

Thegreatinthesmall: In 1951, Dali Teamed Up With Magnum Photographer Philippe Halsman To Create One Of The Most Enchanting, Morbid And Bizarre Photographs Of All Time. Entitled “In Voluptas Mors,” Or Voluptuous Death.

&Amp;Ldquo;I Remember My Friend Emily, Who Also Didn&Amp;Rsquo;T Shave Her Legs, Always Defending Herself Against Anyone Who Commented That Her Leg Hair Was &Amp;Quot;Gross&Amp;Rdquo; By Throwing Her Hands Up And Saying, &Amp;Ldquo;I&Amp;Rsquo;M Still Getting Laid!!&Amp;Rdquo; The

Carrvoice: “Pluto And The Abduction Of Proserpina” Can We Please Talk About How Bernini Was Able To Make Something As Cold And Hard As Stone Seem As Warm And Soft As Human Flesh?

Rabtownsend: Mortality.model: @Kyotocatphoto: @Rabtownsendtoronto. September 29Th, 2016.There Were Many Photos I Considered Sharing Today, But This One Was The Most Slammo In-Your-Face Boom. I Hope I Get Kyotocat Back Here Some Day. Good Energy.

In Our Nature &Amp;Ndash; @Currencyofwill (At Cambridge, Massachusetts)

High Atop Swayambu. Kathmandu, Nepal. April 2016. &Amp;Ndash; #Swayambhu #Temple #Nepal #Nomad #Traveltheworld #Stupa #Buddhism #Buddhisttemple

#Repost @Foto.kammer ・・・ For Millennia, Water Carved Channels Through The Rocky Landscape. It Was In One Of These Conical Conduits That My Friend @Kyotocatnip Blended Herself To The Ancient Rock.

Kyoto. April 2015. (At Kyoto, Japan)

Taken By Rik Scott In Belgium.

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