likeafieldmouse: Cornelia Parker in collaboration with Tilda Swinton - The Maybe (1995) “‘Please come and go quietly,’ reads the sign on the wall of the Serpentine Gallery and, for once, visitors seem to be taking notice. Their light tread,

likeafieldmouse: Cornelia Parker in collaboration with Tilda Swinton - The Maybe (1995) “‘Please come and go quietly,’ reads the sign on the wall of the Serpentine Gallery and, for once, visitors seem to be taking notice. Their light tread,

likeafieldmouse: Cornelia Parker in collaboration with Tilda Swinton - The Maybe (1995) “‘Please come and go quietly,’ reads the sign on the wall of the Serpentine Gallery and, for once, visitors seem to be taking notice. Their light tread,

AllAmateurPorn AllKindOfPorn

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Mythologyofblue: Dora Maar, Le Simulateur, 1936 [Note: Maar’s Haunting Photomontages Of The Mid-1930S Evoke A Mood Of Oneiric Ambiguity. Here, The World Is Turned Literally Upside-Down: A Boy Bends Sharply Backward, Echoing The Curve Of The Vaulted

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Mythologyofblue: Towards A Certain Minimalism In Anton Bruckner’s Symphony No. 3, From The 1St Version, Written In 1873, To The 2Nd Version, Revised In 1877, To The 3Rd In 1891. (Continuo-Docs)

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Likeafieldmouse: Matias Faldbakken - Intervention #21 (2012)

Rcruzniemiec: Living Architecture: India Images From The Book By Andreas Volwahsen Published In 1969. [Via]

Showslow: Is There A Way Of Ensuring That A Work Of Art Or Literature Won’t Survive? Shelley Jackson Thinks There Is, And Is Out To Prove It With Skin, A Project She Calls A Mortal Work Of Art. In The Summer Of 2003 Jackson Put Out A Quiet Call

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Oldflorida: It’s A Beautiful Day At Sliver Springs, 1950’S.

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