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Likeafieldmouse: Sakir Gokcebag

Likeafieldmouse: Cornelia Parker In Collaboration With Tilda Swinton - The Maybe (1995) “‘Please Come And Go Quietly,’ Reads The Sign On The Wall Of The Serpentine Gallery And, For Once, Visitors Seem To Be Taking Notice. Their Light Tread,

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Mythologyofblue: Dora Maar, Le Simulateur, 1936 [Note: Maar’s Haunting Photomontages Of The Mid-1930S Evoke A Mood Of Oneiric Ambiguity. Here, The World Is Turned Literally Upside-Down: A Boy Bends Sharply Backward, Echoing The Curve Of The Vaulted

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Mythologyofblue: Towards A Certain Minimalism In Anton Bruckner’s Symphony No. 3, From The 1St Version, Written In 1873, To The 2Nd Version, Revised In 1877, To The 3Rd In 1891. (Continuo-Docs)

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Likeafieldmouse: Matias Faldbakken - Intervention #21 (2012)

Rcruzniemiec: Living Architecture: India Images From The Book By Andreas Volwahsen Published In 1969. [Via]

Showslow: Is There A Way Of Ensuring That A Work Of Art Or Literature Won’t Survive? Shelley Jackson Thinks There Is, And Is Out To Prove It With Skin, A Project She Calls A Mortal Work Of Art. In The Summer Of 2003 Jackson Put Out A Quiet Call

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Oldflorida: It’s A Beautiful Day At Sliver Springs, 1950’S.

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