crossconnectmag: Mitch Griffiths (born in Nuneaton in 1971) uses a traditional, almost forgotten style of painting, inspired by the light and composition of Old Master paintings, but he uses this style to depict the issues concerning 21st-century British
crossconnectmag: Mitch Griffiths (born in Nuneaton in 1971) uses a traditional, almost forgotten style of painting, inspired by the light and composition of Old Master paintings, but he uses this style to depict the issues concerning 21st-century British
crossconnectmag: Mitch Griffiths (born in Nuneaton in 1971) uses a traditional, almost forgotten style of painting, inspired by the light and composition of Old Master paintings, but he uses this style to depict the issues concerning 21st-century British
crossconnectmag: Mitch Griffiths (born in Nuneaton in 1971) uses a traditional, almost forgotten style of painting, inspired by the light and composition of Old Master paintings, but he uses this style to depict the issues concerning 21st-century British
crossconnectmag: Mitch Griffiths (born in Nuneaton in 1971) uses a traditional, almost forgotten style of painting, inspired by the light and composition of Old Master paintings, but he uses this style to depict the issues concerning 21st-century British
crossconnectmag: Mitch Griffiths (born in Nuneaton in 1971) uses a traditional, almost forgotten style of painting, inspired by the light and composition of Old Master paintings, but he uses this style to depict the issues concerning 21st-century British
crossconnectmag: Mitch Griffiths (born in Nuneaton in 1971) uses a traditional, almost forgotten style of painting, inspired by the light and composition of Old Master paintings, but he uses this style to depict the issues concerning 21st-century British
crossconnectmag: Mitch Griffiths (born in Nuneaton in 1971) uses a traditional, almost forgotten style of painting, inspired by the light and composition of Old Master paintings, but he uses this style to depict the issues concerning 21st-century British
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