vintagegal: To construct the interiors of the Overlook Hotel, Stanley Kubrick and his production designer, Roy Walker purposely set out to make it look like an amalgamation of bits and pieces of real hotels, rather than giving it one single design ethic.
vintagegal: To construct the interiors of the Overlook Hotel, Stanley Kubrick and his production designer, Roy Walker purposely set out to make it look like an amalgamation of bits and pieces of real hotels, rather than giving it one single design ethic.
vintagegal: To construct the interiors of the Overlook Hotel, Stanley Kubrick and his production designer, Roy Walker purposely set out to make it look like an amalgamation of bits and pieces of real hotels, rather than giving it one single design ethic.
vintagegal: To construct the interiors of the Overlook Hotel, Stanley Kubrick and his production designer, Roy Walker purposely set out to make it look like an amalgamation of bits and pieces of real hotels, rather than giving it one single design ethic.
vintagegal: To construct the interiors of the Overlook Hotel, Stanley Kubrick and his production designer, Roy Walker purposely set out to make it look like an amalgamation of bits and pieces of real hotels, rather than giving it one single design ethic.
vintagegal: To construct the interiors of the Overlook Hotel, Stanley Kubrick and his production designer, Roy Walker purposely set out to make it look like an amalgamation of bits and pieces of real hotels, rather than giving it one single design ethic.
vintagegal: To construct the interiors of the Overlook Hotel, Stanley Kubrick and his production designer, Roy Walker purposely set out to make it look like an amalgamation of bits and pieces of real hotels, rather than giving it one single design ethic.
