nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
nyctaeus: Anya Gallaccio, ‘Red on Green’, 2012 Anaya Gallaccio’s Red On Green (2012) is a gradual installation piece, a living breathing demonstration of life and death. Favouring organic materials, Gallaccio laid 10,000 red roses across the
