verysharpteeth: One of the real trope breaking things about Mando is the fact that even though he’s written as the silent gunslinger, he’s NOT really. Take any Clint Eastwood western and his character barely says two words and gives no back story.
verysharpteeth: One of the real trope breaking things about Mando is the fact that even though he’s written as the silent gunslinger, he’s NOT really. Take any Clint Eastwood western and his character barely says two words and gives no back story.
verysharpteeth: One of the real trope breaking things about Mando is the fact that even though he’s written as the silent gunslinger, he’s NOT really. Take any Clint Eastwood western and his character barely says two words and gives no back story.
verysharpteeth: One of the real trope breaking things about Mando is the fact that even though he’s written as the silent gunslinger, he’s NOT really. Take any Clint Eastwood western and his character barely says two words and gives no back story.
verysharpteeth: One of the real trope breaking things about Mando is the fact that even though he’s written as the silent gunslinger, he’s NOT really. Take any Clint Eastwood western and his character barely says two words and gives no back story.
verysharpteeth: One of the real trope breaking things about Mando is the fact that even though he’s written as the silent gunslinger, he’s NOT really. Take any Clint Eastwood western and his character barely says two words and gives no back story.
verysharpteeth: One of the real trope breaking things about Mando is the fact that even though he’s written as the silent gunslinger, he’s NOT really. Take any Clint Eastwood western and his character barely says two words and gives no back story.
verysharpteeth: One of the real trope breaking things about Mando is the fact that even though he’s written as the silent gunslinger, he’s NOT really. Take any Clint Eastwood western and his character barely says two words and gives no back story.
verysharpteeth: One of the real trope breaking things about Mando is the fact that even though he’s written as the silent gunslinger, he’s NOT really. Take any Clint Eastwood western and his character barely says two words and gives no back story.
