His Adult Pics
imakethemovies: Brokeback Mountain DOP – Rodrigo Prieto Format - Arricam LT 500T 50D 250DLenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 1.85 : 1 Delivery - 35 mm Notable Strengths – Wide Shots, Use of Natural Light, Static
imakethemovies: Brokeback Mountain DOP – Rodrigo Prieto Format - Arricam LT 500T 50D 250DLenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 1.85 : 1 Delivery - 35 mm Notable Strengths – Wide Shots, Use of Natural Light, Static
imakethemovies: Brokeback Mountain DOP – Rodrigo Prieto Format - Arricam LT 500T 50D 250DLenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 1.85 : 1 Delivery - 35 mm Notable Strengths – Wide Shots, Use of Natural Light, Static
imakethemovies: Brokeback Mountain DOP – Rodrigo Prieto Format - Arricam LT 500T 50D 250DLenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 1.85 : 1 Delivery - 35 mm Notable Strengths – Wide Shots, Use of Natural Light, Static
imakethemovies: Brokeback Mountain DOP – Rodrigo Prieto Format - Arricam LT 500T 50D 250DLenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 1.85 : 1 Delivery - 35 mm Notable Strengths – Wide Shots, Use of Natural Light, Static
imakethemovies: Brokeback Mountain DOP – Rodrigo Prieto Format - Arricam LT 500T 50D 250DLenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 1.85 : 1 Delivery - 35 mm Notable Strengths – Wide Shots, Use of Natural Light, Static
imakethemovies: Brokeback Mountain DOP – Rodrigo Prieto Format - Arricam LT 500T 50D 250DLenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 1.85 : 1 Delivery - 35 mm Notable Strengths – Wide Shots, Use of Natural Light, Static
imakethemovies: Brokeback Mountain DOP – Rodrigo Prieto Format - Arricam LT 500T 50D 250DLenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 1.85 : 1 Delivery - 35 mm Notable Strengths – Wide Shots, Use of Natural Light, Static
imakethemovies: Brokeback Mountain DOP – Rodrigo Prieto Format - Arricam LT 500T 50D 250DLenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 1.85 : 1 Delivery - 35 mm Notable Strengths – Wide Shots, Use of Natural Light, Static
imakethemovies: Brokeback Mountain DOP – Rodrigo Prieto Format - Arricam LT 500T 50D 250DLenses - Cooke S4 and Angenieux Optimo Lenses Aspect Ratio - 1.85 : 1 Delivery - 35 mm Notable Strengths – Wide Shots, Use of Natural Light, Static
tiny_saggers
tinydick
Towandaavenger:planetfall, Michael Benson
Not Even Star-Crossed, Just Unlucky 🍑
Appetite-For-Illusions: Albums
Tulletool: Y Tu Mamá También (2001)
Vadim-August
Lobo-De-Luna: A Little Bit Of Warping But Overall Lightroom Seems To Do A Pretty Decent Job At Panoramas.5-13-15
Fourchambers: Flux : Joey + Nenetlwatch The Trailer / In Full✖
Cvsturd: 🌸W🌸
Motioninpictures: Kung Fury (2015)Director: David Sandbergdirector(S) Of Photography: Linus Andersson. Mattias Andersson, Jonas Ernhill, Martin Gardemalm, &Amp;Amp; Henning Sandstromart Director: Janne Widmarkaspect Ratio: 1.85:1If You Have Not Yet Watched
Motioninpictures: The Road (2009) [Requested By: Harbouroftrees]Director: John Hillcoatdirector Of Photography: Javier Aguirresarobeaspect Ratio: 2.35:1
Motioninpictures: American Psycho (2000)Director: Mary Harrondirector Of Photography: Andrzej Sekulaaspect Ratio: 2.35:1
Evilnol6: .”Ex Machina”Written And Directed By Alex Garland
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