His acting goes against fifty years of film-making. Each gesture, each attitude, each mime is a slap in the face of tradition. James Dean does not “show off” the script by using understatement… he does not poeticize… He is not anxious to show
His acting goes against fifty years of film-making. Each gesture, each attitude, each mime is a slap in the face of tradition. James Dean does not “show off” the script by using understatement… he does not poeticize… He is not anxious to show
His acting goes against fifty years of film-making. Each gesture, each attitude, each mime is a slap in the face of tradition. James Dean does not “show off” the script by using understatement… he does not poeticize… He is not anxious to show
His acting goes against fifty years of film-making. Each gesture, each attitude, each mime is a slap in the face of tradition. James Dean does not “show off” the script by using understatement… he does not poeticize… He is not anxious to show
His acting goes against fifty years of film-making. Each gesture, each attitude, each mime is a slap in the face of tradition. James Dean does not “show off” the script by using understatement… he does not poeticize… He is not anxious to show
His acting goes against fifty years of film-making. Each gesture, each attitude, each mime is a slap in the face of tradition. James Dean does not “show off” the script by using understatement… he does not poeticize… He is not anxious to show
His acting goes against fifty years of film-making. Each gesture, each attitude, each mime is a slap in the face of tradition. James Dean does not “show off” the script by using understatement… he does not poeticize… He is not anxious to show
His acting goes against fifty years of film-making. Each gesture, each attitude, each mime is a slap in the face of tradition. James Dean does not “show off” the script by using understatement… he does not poeticize… He is not anxious to show
His acting goes against fifty years of film-making. Each gesture, each attitude, each mime is a slap in the face of tradition. James Dean does not “show off” the script by using understatement… he does not poeticize… He is not anxious to show
