amygloriouspond: I: How do you play a man, though, who refuses to meet you?BC: You have to join dots, and that’s where the fictitious […] of dramatization comes about.(x)
amygloriouspond: I: How do you play a man, though, who refuses to meet you?BC: You have to join dots, and that’s where the fictitious […] of dramatization comes about.(x)
amygloriouspond: I: How do you play a man, though, who refuses to meet you?BC: You have to join dots, and that’s where the fictitious […] of dramatization comes about.(x)
amygloriouspond: I: How do you play a man, though, who refuses to meet you?BC: You have to join dots, and that’s where the fictitious […] of dramatization comes about.(x)
amygloriouspond: I: How do you play a man, though, who refuses to meet you?BC: You have to join dots, and that’s where the fictitious […] of dramatization comes about.(x)
amygloriouspond: I: How do you play a man, though, who refuses to meet you?BC: You have to join dots, and that’s where the fictitious […] of dramatization comes about.(x)
amygloriouspond: I: How do you play a man, though, who refuses to meet you?BC: You have to join dots, and that’s where the fictitious […] of dramatization comes about.(x)
amygloriouspond: I: How do you play a man, though, who refuses to meet you?BC: You have to join dots, and that’s where the fictitious […] of dramatization comes about.(x)
