bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
bananafosters:ante–meridiem:I’m all for analysing how tragedy is meaningful and important and so on but I do think people really underrate the “wanna see something fucked up?” instinct as a reason for engaging with fiction.
