His Adult Pics

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though it never happened. But I killed for you. (…)” — Louise Glück, from Gretel In Darkness in “Poems 1962-2012″

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though it never happened. But I killed for you. (…)” — Louise Glück, from Gretel In Darkness in “Poems 1962-2012″

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though it never happened. But I killed for you. (…)” — Louise Glück, from Gretel In Darkness in “Poems 1962-2012″

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though it never happened. But I killed for you. (…)” — Louise Glück, from Gretel In Darkness in “Poems 1962-2012″

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though it never happened. But I killed for you. (…)” — Louise Glück, from Gretel In Darkness in “Poems 1962-2012″

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though it never happened. But I killed for you. (…)” — Louise Glück, from Gretel In Darkness in “Poems 1962-2012″

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though it never happened. But I killed for you. (…)” — Louise Glück, from Gretel In Darkness in “Poems 1962-2012″

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though it never happened. But I killed for you. (…)” — Louise Glück, from Gretel In Darkness in “Poems 1962-2012″

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though it never happened. But I killed for you. (…)” — Louise Glück, from Gretel In Darkness in “Poems 1962-2012″

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though it never happened. But I killed for you. (…)” — Louise Glück, from Gretel In Darkness in “Poems 1962-2012″

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though it never happened. But I killed for you. (…)” — Louise Glück, from Gretel In Darkness in “Poems 1962-2012″

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though it never happened. But I killed for you. (…)” — Louise Glück, from Gretel In Darkness in “Poems 1962-2012″

adrasteiax:“summer afternoons you look at me as though you meant to leave, as though

saohentai sapphicgifs

Citylawns: Rhi Harper

Citylawns:  Rhi Harper

* ੈ✩‧₊˚* ੈ✩‧₊˚* ੈ✩‧₊˚

* ੈ✩‧₊˚* ੈ✩‧₊˚* ੈ✩‧₊˚

19116905:

19116905:

Serratedpens:janice Gould, “Earthquake Weather”

Serratedpens:janice Gould, “Earthquake Weather”

Gustav-M:miroir Ô Miroir 

Gustav-M:miroir Ô Miroir 

I’m Drowning In An Ocean Of Thoughts

I’m Drowning In An Ocean Of Thoughts

Frachella: @Mandymadd

Frachella:  @Mandymadd

Before-Life: Mount Fuji, Japan By Moontears

Before-Life:    Mount Fuji,  Japan    By Moontears

Aaa: Abbey Lee Kershaw Photographed By Hedi Slimane

Aaa:    Abbey Lee Kershaw Photographed By Hedi Slimane

Geminiscene: “— In Which Mirror Did I Lose My Face?” — Cecília Meireles, Tr. By Natalie D’arbeloff, From “How To Recognize The Road: Portrait,”  

Geminiscene:  “— In Which Mirror Did I Lose My Face?” — Cecília Meireles,

389: Vincent Gallo &Amp;Amp; Christina Ricci In Buffalo ‘66

389:  Vincent Gallo &Amp;Amp; Christina Ricci In  Buffalo ‘66

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Highest Heels

 

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