thirtyknives: Pendant by Pierre-Georges DeRaisme. Circa 1900s. Gold, ivory, periodot, enamel, diamond. PIERRE-GEORGES DERAISME, 1900s The Art Nouveau pendant of open work foliate design decorated with green and brown enamel, framing two carved ivory

thirtyknives: Pendant by Pierre-Georges DeRaisme. Circa 1900s. Gold, ivory, periodot, enamel, diamond. PIERRE-GEORGES DERAISME, 1900s The Art Nouveau pendant of open work foliate design decorated with green and brown enamel, framing two carved ivory

thirtyknives: Pendant by Pierre-Georges DeRaisme. Circa 1900s. Gold, ivory, periodot, enamel, diamond. PIERRE-GEORGES DERAISME, 1900s The Art Nouveau pendant of open work foliate design decorated with green and brown enamel, framing two carved ivory

fillyfiddlers finalfantasynsfw

Rene Jules Lalique, Collaret, Gold, Enamel, Diamonds, Ca. 1900

Moika-Palace: “The Last Coach,” Gazette Du Bon Genre Ca. 1912-1913.

Kittyinva: 1928 Evening Fashion From “Mccall’s” Magazine.

Zombienormal: Paul Rieth, Jugend Magazine, 1925. Via.

Moika-Palace: La Belle Helene, George Barbier, 1922.

Jar-Full-Of-Air: Kay Nielsen Illustration

Scotts5Thavenue: The Divine In Blue - Giovanni Boldini

Onlyoldphotography: Frank Eugene: The Pearl Necklace, 1900S

Onlyoldphotography: Frank Eugene: Miss Ide, 1890-1903

Vampdreaminginhollywood: Alla Nazimova And Rudolph Valentino In Camille C.1921

Wehadfacesthen: Theda Bara Wearing A Gown Of Peacock Feathers In Cleopatra (J Gordon Edwards, 1917) With The Implementation Of The Hayes Code, Cleopatra Was Judged Too Obscene To Be Shown. The Last Two Prints In Existence Were Destroyed By Fires At

Viola-Goes-To-Hollywood: Theda Bara

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