onlyoldphotography: Edward Steichen: Balzac, the Open Sky - 11 P.M. 1908 In late summer 1908 Rodin moved the plaster of his sculpture of the French writer Honoré de Balzac out of his studio and into the open air so that Steichen, who disliked its chalky

onlyoldphotography: Edward Steichen: Balzac, the Open Sky - 11 P.M. 1908 In late summer 1908 Rodin moved the plaster of his sculpture of the French writer Honoré de Balzac out of his studio and into the open air so that Steichen, who disliked its chalky

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Onlyoldphotography: Edward Steichen: The Flatiron, 1904 The Flatiron Is The Quintessential Study Of Twilight. Clearly Indebted In Its Composition To The Japanese Woodcuts That Were In Vogue At The Turn Of The Century And In Its Coloristic Effects, To

Luzfosca: André Kertész Budapest, 1914 Also

Luzfosca: André Kertész Quartier Latin, Paris, 1926 From His Book On Reading

Luzfosca: Hervé Lucien Les Toits De Paris, 1952 Thanks To Wonderfulambiguity

Onlyoldphotography: Edward Steichen: Bryant Park Breadline, New York, 1933

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Onlyoldphotography: Edward Steichen: Sunday Night, 40Th Street, 1925

Luzfosca: Alexander Alland Canyon, New York City, C1939. Thanks To Realityayslum

Onlyoldphotography: Edward Steichen: Trinity Church, New York, 1904

Luzfosca: Paul Wolff Frankfurt, 1930 Thanks To Undr

Luzfosca: Járai Rudolf Tavaszi Zápor (V., Sütő U. - Kamermayer U. Sarok) 1940, From Fővárosi Szabó Ervin Könyvtár

Luzfosca: John Beeby A Wet Foggy Day, New York, 1899 Thanks To Undr

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