gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
gay-curator:Untitled (?) (c. 1980)Ben Kimura (Japanese, 1947 - 2003)Unlike Goh Mishima (1924 - 1988), Kimura’s illustration work was both “westernized” and contemporary (for its time). Many examples of Kimura’s sensuous and idealized images can
