astrochelonian: garconniere: The Shirt by Shelley Niro, 2003. Niro’s work consists of a connecting series of photographs that should be read together as a whole narrative. The images are set in a pastoral landscape, and each subsequent photograph
astrochelonian: garconniere: The Shirt by Shelley Niro, 2003. Niro’s work consists of a connecting series of photographs that should be read together as a whole narrative. The images are set in a pastoral landscape, and each subsequent photograph
astrochelonian: garconniere: The Shirt by Shelley Niro, 2003. Niro’s work consists of a connecting series of photographs that should be read together as a whole narrative. The images are set in a pastoral landscape, and each subsequent photograph
astrochelonian: garconniere: The Shirt by Shelley Niro, 2003. Niro’s work consists of a connecting series of photographs that should be read together as a whole narrative. The images are set in a pastoral landscape, and each subsequent photograph
astrochelonian: garconniere: The Shirt by Shelley Niro, 2003. Niro’s work consists of a connecting series of photographs that should be read together as a whole narrative. The images are set in a pastoral landscape, and each subsequent photograph
astrochelonian: garconniere: The Shirt by Shelley Niro, 2003. Niro’s work consists of a connecting series of photographs that should be read together as a whole narrative. The images are set in a pastoral landscape, and each subsequent photograph
astrochelonian: garconniere: The Shirt by Shelley Niro, 2003. Niro’s work consists of a connecting series of photographs that should be read together as a whole narrative. The images are set in a pastoral landscape, and each subsequent photograph
astrochelonian: garconniere: The Shirt by Shelley Niro, 2003. Niro’s work consists of a connecting series of photographs that should be read together as a whole narrative. The images are set in a pastoral landscape, and each subsequent photograph