The most perverse artist’s model picture would come late in the era - Song of Songs (1933) - in which Marlene Dietrich poses nude for sculptor Brian Aherne. Director Rouben Mamoulian couldn’t show the naked Dietrich, but he made up for it by shamelessly
The most perverse artist’s model picture would come late in the era - Song of Songs (1933) - in which Marlene Dietrich poses nude for sculptor Brian Aherne. Director Rouben Mamoulian couldn’t show the naked Dietrich, but he made up for it by shamelessly
The most perverse artist’s model picture would come late in the era - Song of Songs (1933) - in which Marlene Dietrich poses nude for sculptor Brian Aherne. Director Rouben Mamoulian couldn’t show the naked Dietrich, but he made up for it by shamelessly
The most perverse artist’s model picture would come late in the era - Song of Songs (1933) - in which Marlene Dietrich poses nude for sculptor Brian Aherne. Director Rouben Mamoulian couldn’t show the naked Dietrich, but he made up for it by shamelessly
The most perverse artist’s model picture would come late in the era - Song of Songs (1933) - in which Marlene Dietrich poses nude for sculptor Brian Aherne. Director Rouben Mamoulian couldn’t show the naked Dietrich, but he made up for it by shamelessly