His Adult Pics

le-flaneur-visuel: The Man Who Left His Will on Film, Nagisa Oshima (1970)

le-flaneur-visuel: The Man Who Left His Will on Film, Nagisa Oshima (1970)

le-flaneur-visuel:    The Man Who Left His Will on Film, Nagisa Oshima (1970)

le-flaneur-visuel: The Man Who Left His Will on Film, Nagisa Oshima (1970)

le-flaneur-visuel:    The Man Who Left His Will on Film, Nagisa Oshima (1970)

ButtTooBig ButterflyWings

Spectrumvivace: Joyce Mansour

Spectrumvivace:  Joyce Mansour

Kiciawampirzyca: Nobuyoshi Araki ‘Vampire’

Kiciawampirzyca:  Nobuyoshi Araki ‘Vampire’

Stremplerart: Collage Empfang, W. Strempler, 2016

Stremplerart:  Collage Empfang, W. Strempler, 2016

Spectrumvivace: Jean Benoît, Avec Mimi Parent, En Cours D’habillage.

Spectrumvivace:  Jean Benoît, Avec Mimi Parent, En Cours D’habillage.

Le-Flaneur-Visuel: The Man Who Left His Will On Film, Nagisa Oshima (1970)

Le-Flaneur-Visuel:    The Man Who Left His Will On Film, Nagisa Oshima (1970)

Le-Flaneur-Visuel: The Man Who Left His Will On Film, Nagisa Oshima (1970)

Le-Flaneur-Visuel:    The Man Who Left His Will On Film, Nagisa Oshima (1970)

Regardintemporel: Michael Benari

Regardintemporel:  Michael Benari

Firsttimeuser: Man Ray “There Is No Progress In Art, Any More Than There Is Progress In Making Love. There Are Simply Different Ways Of Doing It.”

Firsttimeuser:  Man Ray “There Is No Progress In Art, Any More Than There Is Progress

Nikutai: Nocturnes - 横田大輔 Daisuke Yokota 

Nikutai:  Nocturnes  - 横田大輔 Daisuke Yokota 

Newlorian: Diana Palermo, Intimacy, 2016, Collage.

Newlorian:  Diana Palermo, Intimacy, 2016, Collage.

Dailyholzer: Turn Soft And Lovely Any Time You Have A Chance

Dailyholzer:  Turn Soft And Lovely Any Time You Have A Chance

Gacougnol: L. Olivier Recherches Sur L’appareil Tégumentaire Des Racines Marsilea Quadrifolia (Photomicrographic Plate) 1881

Gacougnol:  L. Olivier Recherches Sur L’appareil Tégumentaire Des Racines Marsilea

 

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