His Adult Pics

saloandseverine: Helen Almeida, Ouve-me (Hear Me), 1979, ph.by Laura Castro Caldas & Paulo Cintra

saloandseverine: Helen Almeida, Ouve-me (Hear Me), 1979, ph.by Laura Castro Caldas & Paulo Cintra

saloandseverine:   Helen Almeida, Ouve-me (Hear Me), 1979, ph.by Laura Castro Caldas

BoobGap BoobHunter

Brandedtofilm: Hour Of The Wolf | Director : Ingmar Bergman

Brandedtofilm:    Hour Of The Wolf | Director : Ingmar Bergman

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Le-Flaneur-Visuel: Damnation, Béla Tarr (1988)

Le-Flaneur-Visuel:    Damnation, Béla Tarr (1988)

Le-Flaneur-Visuel: Damnation, Béla Tarr (1988)

Le-Flaneur-Visuel:    Damnation, Béla Tarr (1988)

Le-Flaneur-Visuel: The Man Who Left His Will On Film, Nagisa Oshima (1970)

Le-Flaneur-Visuel:    The Man Who Left His Will On Film, Nagisa Oshima (1970)

Surrealist-Phantoms

Surrealist-Phantoms

Lottereinigerforever: David Lynch On The Set Of Blue Velvet, 1985 (Photo By Peter Braatz)

Lottereinigerforever:    David Lynch On The Set Of Blue Velvet, 1985 (Photo By Peter

Bitsndpieces: “This Photograph Is My Proof. There Was That Afternoon, When Things Were Still Good Between Us, And She Embraced Me, And We Were So Happy. It Did Happen. She Did Love Me. Look For Yourself.” This Is My Proof, Duane Michals, 1974

Bitsndpieces:  “This Photograph Is My Proof. There Was That Afternoon, When Things

Le-Flaneur-Visuel: Damnation, Béla Tarr (1988)

Le-Flaneur-Visuel:    Damnation, Béla Tarr (1988)

Discretecharm: Human Life Is Meaningful, Rich, Beautiful And Filthy. It Links Everything. It Mistreats Freedom Only… Wasting It, As If It Was Junk. People Don’t Like Freedom, They Are Afraid Of It. The Strange Thing Is There Is Nothing To Fear About

Discretecharm:   Human Life Is Meaningful, Rich, Beautiful And Filthy. It Links Everything.

You Killed Me First

You Killed Me First

Vivipiuomeno1: Francesca Woodman (1958-1981)                                Also

Vivipiuomeno1:  Francesca Woodman (1958-1981)                        

 

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