fyeahclassicalcomposers: 10oclockdot: One of the best things about Erik Satie is that after a certain point in his life he started to pepper his piano miniature scores with all sorts of bizarre performance instructions meant to destabilize even the
fyeahclassicalcomposers: 10oclockdot: One of the best things about Erik Satie is that after a certain point in his life he started to pepper his piano miniature scores with all sorts of bizarre performance instructions meant to destabilize even the
fyeahclassicalcomposers: 10oclockdot: One of the best things about Erik Satie is that after a certain point in his life he started to pepper his piano miniature scores with all sorts of bizarre performance instructions meant to destabilize even the
fyeahclassicalcomposers: 10oclockdot: One of the best things about Erik Satie is that after a certain point in his life he started to pepper his piano miniature scores with all sorts of bizarre performance instructions meant to destabilize even the
fyeahclassicalcomposers: 10oclockdot: One of the best things about Erik Satie is that after a certain point in his life he started to pepper his piano miniature scores with all sorts of bizarre performance instructions meant to destabilize even the
fyeahclassicalcomposers: 10oclockdot: One of the best things about Erik Satie is that after a certain point in his life he started to pepper his piano miniature scores with all sorts of bizarre performance instructions meant to destabilize even the
fyeahclassicalcomposers: 10oclockdot: One of the best things about Erik Satie is that after a certain point in his life he started to pepper his piano miniature scores with all sorts of bizarre performance instructions meant to destabilize even the
fyeahclassicalcomposers: 10oclockdot: One of the best things about Erik Satie is that after a certain point in his life he started to pepper his piano miniature scores with all sorts of bizarre performance instructions meant to destabilize even the
fyeahclassicalcomposers: 10oclockdot: One of the best things about Erik Satie is that after a certain point in his life he started to pepper his piano miniature scores with all sorts of bizarre performance instructions meant to destabilize even the