His Adult Pics
Lucian Freud (Berlin 1922 - London 2011); Two Plants, begun in 1977 and completed in 1980; oil on canvas, 120 x 150 cm; Tate, London
Lucian Freud (Berlin 1922 - London 2011); Two Plants, begun in 1977 and completed in 1980; oil on canvas, 120 x 150 cm; Tate, London
GoneWildNotReviled
GoneWildPetite
Kecobe:giovanni Battista Moroni (Italian; Ca.1525–1578)A Gentleman In Adoration Before The Baptism Of Christ Ca.1555–60 Oil On Canvas Collection Gerolamo And Roberta Etro
Amare-Habeo:helene Schjerfbeck (Finnish, 1862–1946)The Door (Old Monastery Hall) (Die Tür (Alte Klosterhalle)), 1884
Timelightbox:photo Courtesy Of Archives Florence Henri, Gênes Florence Henri / Galleria Martini &Amp;Amp; Ronchettimeet Florence Henri, One Of Photography’s Unsung Influencersa Parisian Museum Looks Back At Florence Henri’s Impressive Career As A Surrealist
Imageswithoutbodies:1. Khrua In Khong, People Viewing Giant Lotus, Ca. 1865, Wat Bowornniwet Vihara.2. Khrua In Khong, Life Of Buddha, 1851-68, Nakhon Pathom, Mondop Phra Phuttabat Of Wat Phra Ngam. Mural Showing Attempts At Linear Perspective, 3.
Lawrenceleemagnuson:kyffin Williams (Uk, Wales. 1918-2006) Autumn, Cwm-Y-Glo, No. 1 (Before 1999)Oil On Canvas 50.8 X 76.2 Cm
Thunderstruck9:Peter Collis (1929-2012), Sligo Landscape. Oil On Canvas, 22 X 24 In.
Daniele Crespi (Busto Arsizio C. 1590 - Milano 1630); La Deposizione Di Cristo (The Deposition), C. 1620; Oil On Canvas, 99 X 123 Cm; Szépművészeti Múzeum, Budapest
Thunderstruck9:Pablo Picasso (Spanish, 1881-1973), Nature Morte Au Filet De Pêche [Still Life With Fishing Net], Juan-Les-Pins, Summer 1925. Oil On Canvas, 100.3 X 82.1 Cm.
Pieter Aertsen (Amsterdam, C. 1508 - 1575); The Cook, 1559; Oil On Canvas, 85 X 171 Cm; Musei Di Strada Nuova, Genova
Thunderstruck9:Lucas Samaras (American, Born Greece, 1936), Photo-Transformation, 1976, Polaroid Print, Image: 7.6 X 7.6 Cm.
Elegantiaearbiter:christ’s Descent Into Limbo (1552), By Bronzino, Cappella Medici, Basilica Di Santa Croce, Florence.
Peira:richard Diebenkorn: Untitled No. 22 (1948) Via The Norton Simon Museum
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