museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
museumuesum: Thomas Ruff Porträt, 1983-1989, Chromogenic prints, variable dimensions When I started with the portraits, it was with an awareness that we were living at the end of the twentieth century, in an industrialized Western country. We weren’t
![Blastedheath: Vincenzo Irolli (Italian, 1860-1949), Acqua E Rocce [Water And Rocks].](https://64.media.tumblr.com/54c4d0ba632fc49f4110f9dc60cb620d/tumblr_mfjspqJYRm1rv7wcro1_250.jpg)
