Tullio Crali (Igalo 1910 - Milano 2000), Bombardamento aereo (aerial bombing), 1932

Tullio Crali (Igalo 1910 - Milano 2000), Bombardamento aereo (aerial bombing), 1932

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Endlessquestion: George Bellows - Blue Morning ,1909, Oil On Canvas, National Gallery Of Art

Gino Severini (1883 - 1966), Still Life With St. Peter&Amp;Rsquo;S Dome (1941-43)

Chasingtailfeathers: David Ligare, Georgic Landscape, 2005 | Oil On Canvas, 26 X 32 In. | Private Collection, London, Uk

Artmastered: The Chain Pier, Built In 1823, Was Brighton’s First Major Pier. It Was Destroyed In 1896 After A Brutal Storm, But Parts Of The Pier Can Still Be Seen During Low Tides. Both Turner And Constable Famously Painted The Chain Pier Just A Few

Henry De Groux (Brussels 1866 - Marseilles 1930), Le Grand Chambardement (The Great Upheaval), 1893

Intemperata: On The Set Of 8½ , Federico Fellini Attached A Note To Himself Below The Camera’s Eyepiece Which Read, &Amp;Ldquo;Remember, This Is A Comedy&Amp;Rdquo;.

Émile Friant (Dieuze 1863 – Paris 1932), The Entrance Of The Clowns (Completed In 1881, When The Painter Was 18)

The-Paintrist: Anassembly: James Ensor Self-Portrait With Masks, 1899 James Sidney Edouard, Baron Ensor (13 April 1860 – 19 November 1949) Was A Belgian Painter And Printmaker, An Important Influence On Expressionism And Surrealism Who Lived In Ostend

Lyghtmylife: Pierre Roy [French Surrealist Painter, 1880-1950] Boris Anrep In His Studio, 65 Boulevard Arago 1949 Oil On Canvas 65,3 X 50,1 Cm Tate Gallery, London, Uk

80S-90S-Supermodels: &Amp;Ldquo;Infanta Style&Amp;Rdquo;, Vogue Italia, September 1997Photographer : Paolo Roversimodel : Tanga Moreau

Museumuesum: Paul Pfeiffer Four Horsemen Of The Apocalypse, 2000-2006 Fujiflex Digital C-Prints, 60 X 48 Inches Each In His Series Four Horsemen Of The Apocalypse, Paul Pfeiffer Draws Our Attention To How Iconography Can Produce Saints, Heroes, And

Twofacedmirror: Audrey Weber, Undated (British, 1898 - 1981) Weber Was An Oil Painter And Graphic Designer Who Exhibited Extensively At The Royal Academy, The Society Of Women Painters And The New English Art Club. She Also Worked For Southern Region

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