twostriptechnicolor: Loops from Gene Kelly’s dance with Jerry Mouse in Anchors Aweigh. (1945) To make the scene, Gene’s dance was rotoscoped (ie. traced frame by frame), and then Jerry was animated around it at a full 24 frames per second (or “on
twostriptechnicolor: Loops from Gene Kelly’s dance with Jerry Mouse in Anchors Aweigh. (1945) To make the scene, Gene’s dance was rotoscoped (ie. traced frame by frame), and then Jerry was animated around it at a full 24 frames per second (or “on
twostriptechnicolor: Loops from Gene Kelly’s dance with Jerry Mouse in Anchors Aweigh. (1945) To make the scene, Gene’s dance was rotoscoped (ie. traced frame by frame), and then Jerry was animated around it at a full 24 frames per second (or “on
twostriptechnicolor: Loops from Gene Kelly’s dance with Jerry Mouse in Anchors Aweigh. (1945) To make the scene, Gene’s dance was rotoscoped (ie. traced frame by frame), and then Jerry was animated around it at a full 24 frames per second (or “on
twostriptechnicolor: Loops from Gene Kelly’s dance with Jerry Mouse in Anchors Aweigh. (1945) To make the scene, Gene’s dance was rotoscoped (ie. traced frame by frame), and then Jerry was animated around it at a full 24 frames per second (or “on
twostriptechnicolor: Loops from Gene Kelly’s dance with Jerry Mouse in Anchors Aweigh. (1945) To make the scene, Gene’s dance was rotoscoped (ie. traced frame by frame), and then Jerry was animated around it at a full 24 frames per second (or “on