ladiesofcinema:People see you. They notice. Do you know how lucky you are?THE NEON DEMON, 2016

ladiesofcinema:People see you. They notice. Do you know how lucky you are?THE NEON DEMON, 2016

ladiesofcinema:People see you. They notice. Do you know how lucky you are?THE NEON DEMON, 2016

ladiesofcinema:People see you. They notice. Do you know how lucky you are?THE NEON DEMON, 2016

ladiesofcinema:People see you. They notice. Do you know how lucky you are?THE NEON DEMON, 2016

happycuckold happydeepthroat

Netals:“Mother… Are You A Cat Or A Ghost?” Kuroneko ‘藪の中の黒猫’ 1968 · Dir. Kaneto Shindō

Soracities:“The Telephone Was Pouring Blue / And When I Hung Up On You / I Was Sick And Sad And I Wished I Had / Just A Kiss To Bring You Over…”Jamaal May, “Macrophobia” | In The Mood For Love, Dir. Wong Kar-Wai | Jeffrey Mcdaniel,

Verachytilovas:prisoners (2013) Dir. Denis Villeneuvesymbolism

Lgbtsource:elisa &Amp;Amp; Marcela (2019) | Dir. Isabel Coixet

Paiposat: Mary Magdalene Would Never Let Her Loved Ones Down

Talesfromthecrypts:giallo: (Italian Pronunciation Dʒallo) A Genre Of Italian Thriller Or Horror Film Typically Involving A Murder Mystery And Characterized By Graphic Violence, Eroticism, An Atmospheric, Sometimes Dreamlike Blend Of Suspense And Horror

Girlgroupinsta:201021 / Yerimiese:look What I’m Wearing 🎀

Hirxeth: The Grand Budapest Hotel (2014) Dir. Wes Anderson

Verachytilovas:scenes From A Marriage ‘Scener Ur Ett Äktenskap’ (1973) Dir. Ingmar Bergman

Theseulgis:hi_Sseulgi

Russianist

365Filmsbyauroranocte:gena Rowlands In Minnie And Moskowitz (John Cassavetes, 1971)

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