caarriefisher: My only goal is to work with really great directors. If a really great director is doing something really interesting that happens to be a studio movie, then great. If it happens to be a film with no money, where we bring our own clothes

caarriefisher: My only goal is to work with really great directors. If a really great director is doing something really interesting that happens to be a studio movie, then great. If it happens to be a film with no money, where we bring our own clothes

caarriefisher: My only goal is to work with really great directors. If a really great director is doing something really interesting that happens to be a studio movie, then great. If it happens to be a film with no money, where we bring our own clothes

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Wethinkwedream: “My Excessive Heart / Finds Everything Too Small,” — Miguel Hernández, From Selected Poems; “Like The Bull,”

Stardust

Consistentanxiety: Best-Views: Cabo San Lucas, Baja California, Mexico Τελειο.

Masterpiecesindetail: Amaldus Nielsen - Aftenstemning, 1878

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Inscendence

Tosfumarewords: “Where / Do My Words End, And Where Do You Begin?” — Quinn Lui, From “Let The Congregation Whisper,” L'éphémère Review (Issue Viii: Gossamer)

Chestacoperpott: Ils Ne Sont Pas Tous Pareils.

Jlaw: White Swan Heaps Off A Cliff And In Death Finds Freedom. Black Swan (2010) Dir. Darren Aronofsky

Adrasteiax: “Always Water And Darkness Because Now I Eat The Light; I Am Sun.” — Angel Dominguez, From “Don’t Tell My Mother If They Kill Me #2″ Published In Brooklyn (Via Lifeinpoetry)

90377: Forest Of Fog × Firefly By Masaru Yamamoto

Arsantiquis: Clouds By Frederic Edwin Church Part Ii.

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