teflonly: “I love the sense that the object is in the frame with the actors, I think that gives you a level of interaction and connection that you don’t get when you do work against green screen.” - Joe Cornish
teflonly: “I love the sense that the object is in the frame with the actors, I think that gives you a level of interaction and connection that you don’t get when you do work against green screen.” - Joe Cornish
teflonly: “I love the sense that the object is in the frame with the actors, I think that gives you a level of interaction and connection that you don’t get when you do work against green screen.” - Joe Cornish
teflonly: “I love the sense that the object is in the frame with the actors, I think that gives you a level of interaction and connection that you don’t get when you do work against green screen.” - Joe Cornish
teflonly: “I love the sense that the object is in the frame with the actors, I think that gives you a level of interaction and connection that you don’t get when you do work against green screen.” - Joe Cornish
teflonly: “I love the sense that the object is in the frame with the actors, I think that gives you a level of interaction and connection that you don’t get when you do work against green screen.” - Joe Cornish
teflonly: “I love the sense that the object is in the frame with the actors, I think that gives you a level of interaction and connection that you don’t get when you do work against green screen.” - Joe Cornish
teflonly: “I love the sense that the object is in the frame with the actors, I think that gives you a level of interaction and connection that you don’t get when you do work against green screen.” - Joe Cornish
