no-right-to-shoes: zippo077: Dayle Krall, female escape artist. Of course, the escape from that upside down suspension will be much more difficult if she has to do it while a cane strikes her exposed soles.
no-right-to-shoes: zippo077: Dayle Krall, female escape artist. Of course, the escape from that upside down suspension will be much more difficult if she has to do it while a cane strikes her exposed soles.
no-right-to-shoes: zippo077: Dayle Krall, female escape artist. Of course, the escape from that upside down suspension will be much more difficult if she has to do it while a cane strikes her exposed soles.
no-right-to-shoes: zippo077: Dayle Krall, female escape artist. Of course, the escape from that upside down suspension will be much more difficult if she has to do it while a cane strikes her exposed soles.
no-right-to-shoes: zippo077: Dayle Krall, female escape artist. Of course, the escape from that upside down suspension will be much more difficult if she has to do it while a cane strikes her exposed soles.
no-right-to-shoes: zippo077: Dayle Krall, female escape artist. Of course, the escape from that upside down suspension will be much more difficult if she has to do it while a cane strikes her exposed soles.
no-right-to-shoes: zippo077: Dayle Krall, female escape artist. Of course, the escape from that upside down suspension will be much more difficult if she has to do it while a cane strikes her exposed soles.
no-right-to-shoes: zippo077: Dayle Krall, female escape artist. Of course, the escape from that upside down suspension will be much more difficult if she has to do it while a cane strikes her exposed soles.
no-right-to-shoes: zippo077: Dayle Krall, female escape artist. Of course, the escape from that upside down suspension will be much more difficult if she has to do it while a cane strikes her exposed soles.